Shakespeare Plays Available in Video Format
Scholars Online Educational Resources


All’s Well That Ends Well
Antony and Cleopatra
As You Like It
The Comedy of Errors
Henry IV, part 1
Henry IV, part 2
Henry V
Henry VI, part 1
Henry VI, part 2
Henry VI, part 3
Henry VIII
Julius Caesar
King John
King Lear
Love’s Labour’s Lost
Measure for Measure
The Merchant of Venice
The Merry Wives of Windsor
A Midsummer Night’s Dream
Much Ado About Nothing
Richard II
Richard III
Romeo and Juliet
The Taming of the Shrew
The Tempest
Timon of Athens
Titus Andronicus
Troilus and Cressida
Twelfth Night
Two Gentlemen of Verona
The Winter’s Tale

Available versions

1981: Elijah Moshinsky

2012: John Dove, Robin Lough

All’s Well That Ends Well
2012: John Dove, Robin Lough

It seems that few people do this play unless they’re setting out to do a complete set of Shakespeare’s plays, and then of course it’s obligatory. This is the entry from the “Shakespeare’s Globe” series, which is apparently releasing, at the rate of a few a year, all of the plays in the corpus.

Like all the productions in this series, it aims at creating something like the original experience. It is staged in the rebuilt Globe theater in London. Sets are minimal, costumes are loosely true to the period, and the acting is pitched at a level that is more appropriate for the stage than for more intimate cinematic productions. Perhaps harder to quantify, but definitely worth noting, is the fact that there is a lively sense of audience engagement. The actors are at some points overtly playing to the audience, and that transforms the experience in a way that is otherwise mostly unexampled on film. There is little else out there to compare with these, and some of the performances are quite electrifying.

This production is no exception. It’s very well acted, minimally cut, and manages to redeem from one of Shakespeare’s darkest and most alienating plays something enlivening and redemptive. The performances are solid across the board, and though the plot necessarily entails some sexual shenanigans, nothing is here, at least visually, that should cause parents or teachers of younger students concern. Janie Dee as the Countess of Rousillon is magnificent, and Sam Crane’s Bertram is suitably despicable, and yet not entirely unsympathetic at all points — a rare achievement in its own terms.

Attendants, Soldiers: Laura Darrall, Nicholas Delvallé, Luke McConnell

Bertram: Sam Crane

Countess of Rousillon: Janie Dee

Diana: Naomi Cranston

Duke of Florence/Rinaldo/Gentleman/Second Soldier:  John Cummins

First Lord: Peter Hamilton Dyer

First Soldier: Ben Deery

Helena: Ellie Piercy

King of France: Sam Cox

Lafeu: Michael Bertenshaw

Lavatch: Colin Hurley

Mariana: Mary Doherty

Parolles: James Garnon

Second Lord: Will Featherstone

Widow: Sophie Duval