Shakespeare Plays Available in Video Format
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All’s Well That Ends Well
Antony and Cleopatra
As You Like It
The Comedy of Errors
Coriolanus
Cymbeline
Hamlet
Henry IV, part 1
Henry IV, part 2
Henry V
Henry VI, part 1
Henry VI, part 2
Henry VI, part 3
Henry VIII
Julius Caesar
King John
King Lear
Love’s Labour’s Lost
Macbeth
Measure for Measure
The Merchant of Venice
The Merry Wives of Windsor
A Midsummer Night’s Dream
Much Ado About Nothing
Othello
Pericles
Richard II
Richard III
Romeo and Juliet
The Taming of the Shrew
The Tempest
Timon of Athens
Titus Andronicus
Troilus and Cressida
Twelfth Night
Two Gentlemen of Verona
The Winter’s Tale
Shakespeareana

Available versions

1948: Orson Welles

1954: George Schaefer

1961: Paul Almond

1971: Roman Polanski

1979: Philip Casson

1981: Arthur Allan Seidelman

1983: Jack Gold

1997: Jeremy Freeston

1998: Michael Bogdanov

2001: Gregory Doran

2006: Geoffrey Wright

2006 [1988]: Michael T. Starks

2009: Colleen Stovall

2010: Rupert Goold

2014: Eve Best

2015: Justin Kurzel

2017: Barry Avrich

2018: Robin Lough

2018: Kit Monkman

2021: Joel Coen


Adaptations

1957: Throne of Blood

1991: Men of Respect

1991: Scotland, PA

1992: Nikolai Serebryakov, Dave Edwards (animated)

2005: ShakespeaRe-Told: Macbeth

2016: Macbeth Unhinged

2022: Curse of the Macbeths


Production drama

1999: Macbeth in Manhattan

2003: Slings and Arrows (Season 2)

2017: The Scottish Play (series)

2021: The Scottish Play


Educational

2008: This Is Macbeth

2013: Shakespeare Uncovered (Season 1, Ep. 2)


Curse of the Macbeths
2022: Angus Macfadyen

An adaptation of Macbeth (at the furthest limits deserving to be called an adaptation). It appears to be a reworking of the 2016 Macbeth Unhinged, cut by half an hour, but no less unhinged. It is full of filmic effects, while mostly being shot inside a stretch limousine. Macfadyen directed as well as starring as Macbeth. One wonders what point he had in mind.

The play begins with a quotation from Yeats’s “The Second Coming’ (“Things fall apart; the center cannot hold,” etc.) over a montage of vignettes from twentieth-century dictators from Hitler on. Most of the lines spoken are from Shakespeare’s text, but their relation to much of anything is more or less coincidental. It’s full of violent imagery, lots of people beating each other, and gratuitous blood, but it’s built on an incoherent plot that wouldn’t make any sense to one who didn't already know Macbeth, and of little or no interest to anyone who did. The murder of Lady Macduff is a cozy affair in the back of the limousine, with Lady Macbeth and Macbeth himself in attendance (why?), playing something like Russian roulette, and eventually of course a shooting, where fashion-model Lady Macbeth is splattered with blood. Duncan (ghost? memory?) keeps popping up, wagging his head and hollering, for no particular reason.

As a showcase for filmic effects dealing with over- and under-saturated color, interleaved with black and white, coupled with banal sound effects, it looks like a sophomore film school product from a student who didn’t make it to the next year. Macfadyen is good enough actor, but the conceit of this film is completely opaque to me. I at least can’t see a point to this undisciplined and self-indulgent exercise. The movie almost-meaningfully ends on the (genuine but misplaced) line, “signifying nothing”. That pretty well sums up the film.

There is an occasional moment of acting inspiration here, but all in all, it's not worth the effort. The film is rated R in Canada: I cannot find any evidence that it has a rating in the US. Parents and teachers take note. I can't imagine an adult really wanting to watch it anyway.


Banquo: Harry Lennix

Boy Macduff: Devin Druid

Duncan: Kevin McNally

Lady Macbeth: Taylor Roberts

Lady Macduff: Daven Ralston

Macbeth: Angus Macfadyen

Macduff: Seth Numrich

Witch 1: Olivia Maxwell